Oil on panel, signed and dated 1934.
Panel size: 12.5 x 16in / 32 x 41cm
Frame size: 19.5 x 23in / 50 x 59cm
Collection Charles Peloni, Le Vésinet
Collection Rotchild, Paris
Collection Léon Josephson, Neuilly-sur-Seine (acquired before 1959)
P. Pétridès, L’oeuvre complet de Maurice Utrillo, Paris, 1969, Vol. III, no. 1548
This painting is sold with a photo-certificate from Hélène Bruneau and Cedric Paillier
Valadon, who had become a model after a fall from a trapeze ended her chosen career as a circus acrobat, found that posing for Berthe Morisot, Pierre-Auguste Renoir, Henri de Toulouse-Lautrec, and others provided her with an opportunity to study their techniques; in some cases, she had also become their mistress. She taught herself to paint, and when Toulouse-Lautrec introduced her to Edgar Degas, he became her mentor. Eventually she became a peer of the artists she had posed for.
Meanwhile, her mother was left in charge of raising the young Maurice, who soon showed a troubling inclination toward truancy and alcoholism. When a mental illness took hold of the twenty-one year old Utrillo in 1904, he was encouraged to paint by his mother. He soon showed real artistic talent. With no training beyond what his mother taught him, he drew and painted what he saw in Montmartre. After 1910 his work attracted critical attention, and by 1920 he was internationally acclaimed. In 1928, the French government awarded him the Cross of the Légion d'honneur. Throughout his life, however, his mental disorder would result in his being interned in mental asylums repeatedly.
In middle age Utrillo became fervently religious and in 1937, at the age of fifty-four, he married Lucie Valore and moved to Le Vesinet, just outside of Paris. Although his life also was plagued by alcoholism, he lived into his seventies. Maurice Utrillo died on 5 November 1955, and was buried in the Cimetière Saint-Vincent in Montmartre.