Vonal-Feny

Victor Vasarely (1906 - 1997)

Acrylic on canvas, signed, titled and dated ‘VASARELY ”VONAL-FENY 1975 (on the reverse). Painted 1975 – 1992
Canvas size: 47 x 47in / 120 x 120cm
Frame size: 50 x 50in / 127 x 127cm

The ‘Vonal-Feny’ series (meaning “Line-Light” or “Line-Glow” in Hungarian), exemplifies Vasarely’s ‘kinetic plastic’ research.  It uses a tightly controlled grid of repeating lines and shapes—often squares and circles—that diminish in size toward the center. This precise arrangement creates powerful optical illusions of pulsating movement, depth, and three-dimensional form on a flat surface, engaging the viewer’s perception actively.

 

PROVENANCE

Private collection, United States (acquired directly from the artist)
Private collection, Turin
Mazzoleni Galleria d’Arte, Turin
Private collection, Europe

LITERATURE

This painting is accompanied by a certificate of authenticity from Pierre Vasarely.

This work will be included in the catalogue raisonné being prepared by the Vasarely Foundation in Aix-en-Provence.

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Title: Vonal-Feny Artist Name: Victor Vasarely

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      (1906 - 1997)

      Victor Vasarely, born Győző Vásárhelyi on April 9, 1906, in Pécs, Hungary, is widely recognized as the “grandfather” and leading figure of the Op art movement. His artistic journey, marked by innovation and a relentless pursuit of visual illusion, has left an enduring legacy in the world of art.

      Vasarely’s early life was influenced by the Bauhaus movement, and his work often incorporates geometric shapes, vibrant colours, and optical illusions. His iconic piece, “Zebra,” created in 1937, is considered one of the earliest examples of Op art. This groundbreaking work, with its mesmerizing pattern of black and white stripes, demonstrates Vasarely’s ability to manipulate visual perception and create dynamic compositions.

      Throughout his career, Vasarely explored various artistic techniques, including painting, sculpture, and graphic design. His work often challenges the viewer’s sense of depth and perspective, inviting them to engage with the artwork on a deeper level. He believed in the democratisation of art and sought to create visually stimulating works that could be appreciated by a wide audience.

      Vasarely’s influence extended beyond the art world. His designs were used in various applications, from advertising to architecture. He was a pioneer in the field of kinetic art, creating works that incorporated movement and light. His innovative approach to art and design continues to inspire artists and designers today.

      Vasarely’s dedication to his craft and his unwavering belief in the power of visual art have secured his place in art history. His work remains relevant and continues to captivate viewers with its bold colours, intricate patterns, and optical illusions.